I’ve just finished looking through ‘Ernst Haas - Colour Correction’ a collection of the photographer’s work first published in 2011 and which I mentioned in an earlier piece below. There are apparently 200,000 slides in the Haas archive so we can expect perhaps further volumes if this one is a success (and it was reprinted in 2016).
I found leafing through the book to be a sensuous experience. Colour has that effect on me rather more than black and white. Several of the images sent me into reverie. The others were mostly interesting in a technical sense: speculating about how he achieved the effects that he did and thinking about why some had more impact than others.
The text going with the images took a familiar route through historical context – who knew whom and who influenced whom and who ignored whom. The suggestion is that after his first MoMA show (proposed and curated by Edward Steichen) he was dropped by John Szarkowski. Woven into this account is an aesthetic assessment, technical detail, wider context and quotations: you get a pinball effect as the subject skitters from one of these to the next. Finding the language in which to talk about a series of photos is a constant challenge even to those who do it professionally.