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PETER BARKER

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POP UP LINDY HOP

November 14, 2018

I lived in France in the 1970s.  The French way of life was a bit of a revelation to me, coming, as I did, from the coalpits and factories of northern England.  The French were quite formal people, I found, in dress, culture and language.  Relaxation too was formal: around a table, at a sporting event, even in conversation.

 Fast forward now and this past summer I found myself in Paris for a few days.  One balmy evening I was walking along the banks of the Seine and came upon an informal Lindy Hop session. Maybe it was a regular event, I don’t know, but someone had rigged up speakers in the trees and about a hundred or so locals were jiving their way through the jazz standards.  I was really struck: forty years ago this would have been a carefully choreographed event, with costumes, food, a band and spectator seating.  Now it was just happening.  I suppose that’s a good and inclusive thing but I did momentarily feel a slight shiver of nostalgia for the old days.

Well, I had one frame left on my camera and no other film in my pocket.  So I really did have to go for the decisive moment in this one snatched shot.

In My Photolife
← MANDY BARKERDENIS THORPE: A VIEW FROM THE NORTH →

You can get an overview of the blog by clicking on ARCHIVE below. It isn’t actually an archive - that’s just what the software calls it. It is a list of basic categories of blogpost that I have put together: you click on any one and those posts come up.

ARCHIVE
  • Wandering 14
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  • May 2024
    • May 27, 2024 GOODBYE HASSELBLAD May 27, 2024
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    • Jan 7, 2024 A FEW HOURS IN CHESTER Jan 7, 2024
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    • Dec 27, 2023 THE SAXOPHONE PLAYER Dec 27, 2023
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    • Nov 27, 2023 PATTERN Nov 27, 2023
  • October 2023
    • Oct 19, 2023 I WISH THEY WOULDN'T DO THAT Oct 19, 2023
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    • Sep 12, 2023 PROVIDENCE AND THE PREPARED MIND Sep 12, 2023
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    • May 1, 2023 AND BREATHE…… May 1, 2023
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    • Apr 3, 2023 SOMETHING HARD TO FIND Apr 3, 2023
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    • Mar 27, 2023 DARKROOM DIARIES Mar 27, 2023
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    • Feb 21, 2023 IT'S ALL AN ILLUSION Feb 21, 2023
    • Feb 20, 2023 ONE FOR THE ECONOMISTS Feb 20, 2023
    • Feb 14, 2023 IN THE MOMENT Feb 14, 2023
  • January 2023
    • Jan 23, 2023 DARKROOM DIARIES Jan 23, 2023
    • Jan 22, 2023 UP AND DOWN IN 2022 Jan 22, 2023
    • Jan 16, 2023 ECSTATIC Jan 16, 2023
  • December 2022
    • Dec 29, 2022 WYNDHAM LEWIS: SWAGGER Dec 29, 2022
    • Dec 19, 2022 STAYING ALIVE Dec 19, 2022
    • Dec 12, 2022 QUAKERS AND PIES Dec 12, 2022
  • November 2022
    • Nov 28, 2022 THE ARCHITECTURE OF SILENCE Nov 28, 2022
    • Nov 27, 2022 FLAT Nov 27, 2022
    • Nov 17, 2022 THE DEVIL IS IN THE DIGITAL Nov 17, 2022
  • October 2022
    • Oct 27, 2022 NOSING AROUND Oct 27, 2022
    • Oct 21, 2022 DARKROOM FEVER Oct 21, 2022
  • September 2022
    • Sep 27, 2022 HAIBUN* Sep 27, 2022
    • Sep 19, 2022 UNNECESSARY OBSTACLES Sep 19, 2022
    • Sep 12, 2022 TWO LEGENDS: VIVIAN MAIER AND MILTON KEYNES Sep 12, 2022
  • July 2022
    • Jul 28, 2022 AN ACT OF FAITH Jul 28, 2022
    • Jul 26, 2022 OVERKILL: SEBASTIAO SALGADO'S 'AMAZONIA' Jul 26, 2022
    • Jul 15, 2022 MORE THAN A PILE OF PEBBLES Jul 15, 2022
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    • Jun 23, 2022 PASSING CLOUDS Jun 23, 2022
    • Jun 20, 2022 A WALK IN THE WOODS Jun 20, 2022
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    • May 25, 2022 MEDITATION May 25, 2022
    • May 24, 2022 THE CLASSICAL DARKROOM May 24, 2022
    • May 13, 2022 ARTISTS WITHOUT BORDERS May 13, 2022
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    • Apr 26, 2022 ZEN AND THE ART OF PEERING THROUGH A VIEWFINDER Apr 26, 2022
    • Apr 7, 2022 SHAHAI Apr 7, 2022
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    • Mar 26, 2022 CLEAR OUT Mar 26, 2022
    • Mar 22, 2022 OLEG KHALYAVIN Mar 22, 2022
  • February 2022
    • Feb 22, 2022 IF YOU GO DOWN TO THE WOODS TODAY Feb 22, 2022
    • Feb 17, 2022 SPECIMEN: WILFRED THESIGER AND HIS LEICAS Feb 17, 2022
  • January 2022
    • Jan 27, 2022 DEREK JARMAN PROTEST! Jan 27, 2022
    • Jan 27, 2022 THE INTREPID ENLARGER Jan 27, 2022
  • December 2021
    • Dec 30, 2021 WALTER SICKERT AT THE WALKER ART GALLERY, LIVERPOOL Dec 30, 2021
    • Dec 23, 2021 WAITING FOR THE MIRACLE (2) Dec 23, 2021
  • November 2021
    • Nov 25, 2021 A LITTLE AGITATION Nov 25, 2021
    • Nov 25, 2021 POWER TO THE PEOPLE Nov 25, 2021
  • October 2021
    • Oct 30, 2021 A BIT OF A BLIND SPOT Oct 30, 2021
    • Oct 25, 2021 WHEN FOOTBALL WAS FOOTBALL Oct 25, 2021
    • Oct 19, 2021 AN AFTERNOON IN THE PARK Oct 19, 2021
  • September 2021
    • Sep 23, 2021 ALVIN LANGDON COBURN: COOL DUDE Sep 23, 2021
    • Sep 22, 2021 FORENSIC ARCHITECTURE: CLOUD STUDIES Sep 22, 2021
  • June 2021
    • Jun 30, 2021 WORK IN PROGRESS Jun 30, 2021
    • Jun 29, 2021 HIGH AND MIGHTY Jun 29, 2021
    • Jun 29, 2021 JAMES RAVILIOUS Jun 29, 2021
  • May 2021
    • May 24, 2021 WAITING FOR THE MIRACLE May 24, 2021
    • May 24, 2021 THE HUNGARIAN CONNECTION May 24, 2021
    • May 11, 2021 THE FAMILY ALBUM May 11, 2021
  • April 2021
    • Apr 28, 2021 A VERY FINE FOG Apr 28, 2021
    • Apr 14, 2021 ZORKI Apr 14, 2021
  • March 2021
    • Mar 22, 2021 AMERICANS IN FLORENCE Mar 22, 2021
    • Mar 11, 2021 OF BOOKS AND BACKGROUND HEDGES Mar 11, 2021
  • February 2021
    • Feb 26, 2021 PILGRIMAGE Feb 26, 2021
  • January 2021
    • Jan 25, 2021 BUBBLING UNDER Jan 25, 2021
    • Jan 20, 2021 STEEL - OIL - STEAM Jan 20, 2021
  • December 2020
    • Dec 28, 2020 COINCIDENTALLY Dec 28, 2020
    • Dec 14, 2020 OAK Dec 14, 2020
  • November 2020
    • Nov 27, 2020 HIROH KIKAI 1945-2020 Nov 27, 2020
    • Nov 21, 2020 RED COLOUR NEWS SOLDIER Nov 21, 2020
  • October 2020
    • Oct 25, 2020 THE FRAMEMAKER'S LOT Oct 25, 2020
    • Oct 23, 2020 A QUESTION OF DIMENSION Oct 23, 2020
  • September 2020
    • Sep 24, 2020 ALL THE GEAR AND NO IDEA Sep 24, 2020
    • Sep 9, 2020 THE UNKNOWN CRAFTSMAN Sep 9, 2020
  • June 2020
    • Jun 29, 2020 THE BLACK AND WHITE WORLD OF COLOUR Jun 29, 2020
    • Jun 21, 2020 OSCAR MARZAROLI Jun 21, 2020
    • Jun 16, 2020 RODNEY KING AND THE CONSTRUCTION OF TRUTH Jun 16, 2020
  • May 2020
    • May 30, 2020 SUFFOLK AND SATURN May 30, 2020
    • May 22, 2020 IT AIN'T WHAT YOU SAY........ May 22, 2020
    • May 15, 2020 PERSONAL CHEMISTRY May 15, 2020
  • April 2020
    • Apr 28, 2020 ET IN ORCADIA EGO Apr 28, 2020
  • March 2020
    • Mar 29, 2020 FORCE MAJEURE Mar 29, 2020
    • Mar 24, 2020 PHOTOGRAPHING THE ENGLISH NORTH: 1890-1990 Mar 24, 2020
    • Mar 13, 2020 CECIL BEATON: SIC TRANSIT GLORIA Mar 13, 2020
  • February 2020
    • Feb 27, 2020 THE GOALIE AND THE CLOUDS Feb 27, 2020
    • Feb 20, 2020 THE PASSING OF THE DAYS Feb 20, 2020
    • Feb 12, 2020 BOOKMAKING Feb 12, 2020
  • January 2020
    • Jan 30, 2020 THE PRICE AT THE PUMP Jan 30, 2020
    • Jan 24, 2020 RIGHT PLACE, RIGHT TIME: PHOTOS AND COPYRIGHT Jan 24, 2020
    • Jan 14, 2020 IN PRAISE OF OLDER PHOTOBOOKS Jan 14, 2020
  • December 2019
    • Dec 30, 2019 HAPPY NEW YEAR Dec 30, 2019
    • Dec 17, 2019 LETIZIA BATTAGLIA: SHOOTING THE MAFIA Dec 17, 2019
    • Dec 11, 2019 WORDS AND IMAGES (3) Dec 11, 2019
    • Dec 1, 2019 FOOL'S GOLD Dec 1, 2019
  • November 2019
    • Nov 19, 2019 TREES, TREES, TREES Nov 19, 2019
    • Nov 12, 2019 MANCHESTER Nov 12, 2019
  • October 2019
    • Oct 25, 2019 THOSE CREATIVE JUICES YET AGAIN! Oct 25, 2019
    • Oct 17, 2019 WRESTLING WITH FOG (2) Oct 17, 2019
    • Oct 10, 2019 LIKE FATHER, LIKE SON Oct 10, 2019
  • September 2019
    • Sep 30, 2019 FURTHER ADVENTURES WITH WORD AND PHOTO Sep 30, 2019
    • Sep 24, 2019 GREAT JOURNEYS, SHAME ABOUT THE PHOTOS Sep 24, 2019
    • Sep 13, 2019 ERIC RAVILIOUS Sep 13, 2019
    • Sep 10, 2019 CRUISING Sep 10, 2019
  • July 2019
    • Jul 23, 2019 LI YUAN-CHIA: UNIQUE PHOTOGRAPHS Jul 23, 2019
    • Jul 12, 2019 WRESTLING WITH FOG Jul 12, 2019
    • Jul 9, 2019 IT'S IN THE BAG Jul 9, 2019
  • June 2019
    • Jun 28, 2019 FIRE IN THE ENGINE ROOM Jun 28, 2019
    • Jun 21, 2019 JOHN BERGER: WORDS AND IMAGES Jun 21, 2019
    • Jun 5, 2019 THOSE CREATIVE JUICES (3) Jun 5, 2019
  • May 2019
    • May 28, 2019 ANSEL ADAMS' AUTOBIOGRAPHY May 28, 2019
    • May 22, 2019 THE BMW PRINCIPLE May 22, 2019
    • May 14, 2019 SECOND THOUGHTS May 14, 2019
    • May 7, 2019 THOSE CREATIVE JUICES (2) May 7, 2019
  • April 2019
    • Apr 30, 2019 THOSE CREATIVE JUICES Apr 30, 2019
    • Apr 24, 2019 BLACK HOLES Apr 24, 2019
    • Apr 20, 2019 A QUESTION OF PROPORTION Apr 20, 2019
    • Apr 11, 2019 INTERNATIONAL POLITICS AND MY WARDROBE Apr 11, 2019
  • March 2019
    • Mar 27, 2019 JUST A MOMENT Mar 27, 2019
    • Mar 20, 2019 FEELING THE COLLAR OF DIGITAL IMAGES Mar 20, 2019
    • Mar 13, 2019 THE DARK ARTS Mar 13, 2019
    • Mar 7, 2019 MARTIN PARR: RETURN TO MANCHESTER Mar 7, 2019
  • February 2019
    • Feb 27, 2019 BERENICE ABBOTT: HOW MANY PAGES MAKE A LIFE? Feb 27, 2019
    • Feb 24, 2019 THREE INTO TWO WON'T GO Feb 24, 2019
    • Feb 13, 2019 WHEN THE PICTURES COME DOWN Feb 13, 2019
    • Feb 5, 2019 MY LIFE OR MY ART? Feb 5, 2019
  • January 2019
    • Jan 23, 2019 SKELETONS IN THE CLOSET Jan 23, 2019
    • Jan 14, 2019 PHOTOGRAPHY AND THE ART MARKET BY JULIET HACKING Jan 14, 2019
    • Jan 7, 2019 THE ROOFTOPS OF AARHUS Jan 7, 2019
    • Jan 2, 2019 HAPPY NEW YEAR! Jan 2, 2019
  • December 2018
    • Dec 24, 2018 MORE SHADOWS, LESS LIGHT Dec 24, 2018
    • Dec 17, 2018 HOKUSAI CRACKS A JOKE Dec 17, 2018
    • Dec 10, 2018 IN PRAISE OF SHADOWS Dec 10, 2018
    • Dec 1, 2018 MANDY BARKER Dec 1, 2018
  • November 2018
    • Nov 14, 2018 POP UP LINDY HOP Nov 14, 2018
  • October 2018
    • Oct 22, 2018 DENIS THORPE: A VIEW FROM THE NORTH Oct 22, 2018
    • Oct 4, 2018 WORKING HANDS Oct 4, 2018
  • September 2018
    • Sep 22, 2018 GETTING OUT OF THE WAY Sep 22, 2018
  • August 2018
    • Aug 27, 2018 "TRACKING EDITH": THE LIFE OF EDITH TUDOR HART Aug 27, 2018
    • Aug 8, 2018 FROM THE ARCHIVE: SHOOTING PEOPLE IS WRONG Aug 8, 2018
  • July 2018
    • Jul 24, 2018 THE APPROACHABLE PHOTOGRAPH Jul 24, 2018
  • June 2018
    • Jun 27, 2018 IN THE ALCHEMIST'S CHAMBER Jun 27, 2018
    • Jun 8, 2018 IF THE BUDDHA HAD HAD A CAMERA Jun 8, 2018
  • May 2018
    • May 9, 2018 GETTING INTO TROUBLE May 9, 2018
  • April 2018
    • Apr 11, 2018 PETER LAVERY: CIRCUS WORK Apr 11, 2018
    • Apr 1, 2018 PHOTOGRAPHY AS FINE ART Apr 1, 2018
  • March 2018
    • Mar 19, 2018 IT'S THAT WOMAN AGAIN Mar 19, 2018
    • Mar 5, 2018 COLLECTING KING WILLY VON HINTEN Mar 5, 2018
  • February 2018
    • Feb 11, 2018 PELE: ART, LIFE, FOOTBALL Feb 11, 2018
  • January 2018
    • Jan 25, 2018 PHOTOGRAPHY COMPETITIONS Jan 25, 2018
    • Jan 11, 2018 JOHN STEZAKER AT THE WHITWORTH GALLERY Jan 11, 2018
  • December 2017
    • Dec 10, 2017 GORDON PARKS: A CHOICE OF WEAPONS Dec 10, 2017
  • November 2017
    • Nov 21, 2017 JELENA BLAGOVIC: O NJOJ Nov 21, 2017
  • October 2017
    • Oct 31, 2017 WAR PHOTO LIMITED Oct 31, 2017
    • Oct 17, 2017 BURIAL MOUNDS Oct 17, 2017
    • Oct 5, 2017 LEE PRICE: THE HOUSE OF KINGS AND QUEENS Oct 5, 2017
  • September 2017
    • Sep 6, 2017 CHASING SHEEP Sep 6, 2017
  • August 2017
    • Aug 3, 2017 TOLSTOY'S RESURRECTION Aug 3, 2017
  • July 2017
    • Jul 18, 2017 AUGUST SANDER: PORTRAYING A NATION Jul 18, 2017
    • Jul 4, 2017 GRAFTERS Jul 4, 2017
  • June 2017
    • Jun 22, 2017 HOW MUCH!? Jun 22, 2017
    • Jun 9, 2017 VERBS AND PHOTOBOOKS Jun 9, 2017
  • May 2017
    • May 23, 2017 WILLIAM MUMLER, THE SPIRIT PHOTOGRAPHER May 23, 2017
    • May 9, 2017 LENSES AT THE EXTREMES May 9, 2017
  • April 2017
    • Apr 24, 2017 LEARNING TO FISH Apr 24, 2017
    • Apr 10, 2017 MENTAL MODELS Apr 10, 2017
  • March 2017
    • Mar 27, 2017 ERIC HOBSBAWM: FRACTURED TIMES Mar 27, 2017
    • Mar 20, 2017 DOUGIE WALLACE Mar 20, 2017
  • February 2017
    • Feb 28, 2017 PINNING THE BRITS DOWN Feb 28, 2017
    • Feb 17, 2017 WILDLIFE PHOTOGRAPHER OF THE YEAR Feb 17, 2017
    • Feb 7, 2017 MY JIGSAW PUZZLE OF PHOTOGRAPHS Feb 7, 2017
  • January 2017
    • Jan 30, 2017 ERNST HAAS (1) Jan 30, 2017
    • Jan 24, 2017 PETER GALASSI Jan 24, 2017
    • Jan 16, 2017 ERNST GOMBRICH Jan 16, 2017
    • Jan 6, 2017 PETER MITCHELL: PLANET YORKSHIRE Jan 6, 2017